Kickstarter Scanners

Negative Supply Film Carrier MK1 Kickstarter Launches Today

For most film photographers capturing within the digital age, photographs made on film are almost all the time digitized. It’s a mandatory step in the trendy movie images workflow. However the number of digitizing options obtainable to the house developer are few, and lots of of these might be unsatisfying or downright prohibitive. An organization referred to as Negative Supply needs to vary this with a new product – the Film Carrier MK1.

Current Digitization Options and their Execs and Cons

At the lowest end of the worth and high quality scale exist scanners just like the Kodak Scanza, which saves scans as JPG information however doesn’t supply a sensor of high enough quality to match the definition or dynamic vary of higher scanners. Actually, the Scanza’s product listings even advocate a flatbed scanner if customers wish to get “high quality” digitization.

Flatbeds, probably the subsequent best choice providing respectable image quality, miss the mark in different ways. The workflow is painstakingly sluggish, the destructive holders typically don’t maintain the negatives as flat as desired, and the copy of movie characteristics do not repeatedly hold up (grain element may be misplaced, colour might be flat, sharpness and depth might be lacking). To not mention worth – at the prime end (say, an Epson V850) we’ll be dropping a grand.

In my experience with the V600, my scans have been only ever wonderful. I by no means ended up investing in better movie holders or ANR glass, as a result of doing so felt like giving into the sunk value fallacy – I wasn’t comfortable, why invest more into a course of that wasn’t making me love film more? I shortly turned dissatisfied and moved on.

One rung greater we find dedicated 135 or 120 scanners such because the Plustek models. Certainly one of our authors, Dustin Vaughn-Luma, reviewed the Plustek OpticFilm 120 to solely lackluster outcomes – sure, the image high quality was better than what he was getting with a flatbed, however your complete workflow made him assume the enterprise was better off abandoned.

Another degree upward we discover older dedicated scanners like the Nikon Coolscan or the Nexlab/Kodak Pakon. These, especially the Pakon, can run near a $1,000 once more on the high end of the spectrum and a minimum of a number of hundred on the low end. Not to point out, we shortly run into frustrations with primarily retrofitting previous hardware and software program to run on new computer systems. With the Pakon, the decision is pretty low and the scanner can’t really handle E6 or black-and-white movie.

Lastly, we begin to prime out on the premier devoted film scanners. Right here we have now scanners like the Noritsu, the Fuji Frontier, and Imacon/Hasselblad scanners. These, particularly the Imacon/Hasselblad scanners, produce outstanding results. For the Noritsus, anticipate to be out a few grand or 4. For the Fuji, anticipate to be out upwards of six thousand. And for the Imacon and Hasselblad scanners, you may be paying over $10,000. Nobody will probably be shopping for considered one of these until they’re fascinated with opening a lab and selling scanning providers.

But even if a daily shooter buys in and may justify the jaw-dropping monetary funding into considered one of these famed machines, he or she should be out of luck – the scanners don’t handle the colour traits of E6 as well as they do the unfavourable conversion of C41.

At the very, very prime finish of all image scanners, movie or otherwise, drum scanning rests, with the top-of-the-line Heidelberg Tango Drum scanner as its poster-child. I actually haven’t any clue how a lot these machines promote for, as a result of they are so specialized and gargantuan. My analysis signifies that they’d be going for between ten and sixteen thousand.

The Film Carrier MK1, shown in renders under, seems to be to simplify and reduce film digitization.

A Answer in Plain Sight

It seems like somebody on the Informal Photophile group laments the scanning course of on a weekly basis. The complaints are often related to workflow and time investment, however little question these are both influenced by the quantity of labor and processing it requires to get an exquisite scan.

There is perhaps on panacea to this complete fluster though – digital digital camera scanning. Some may be accustomed to the method, however for many who are usually not, it’s remarkably simple. At its easiest rationalization, DCS is projecting mild by way of our filmstrips after which taking an image of every individual body utilizing a digital digital camera.

In a bit more prolonged rationalization, DCS includes using a light-weight source like a light-weight desk or mild pad, putting our film on prime of it in order that the movie is illuminated, positioning our digital digital camera instantly over the film utilizing a tripod or copy stand, filling all the body with a single movie body of adverse utilizing a macro lens for close focusing, and then taking a digital photograph of the film frame. This file, which may (and will) be taken in RAW format, can then be imported into Lightroom where it may be converted to color-corrected pictures.

Perhaps the most effective and best strategy to convert RAW information is utilizing a Lightroom plugin referred to as Negative Lab Professional, which might be licensed for $99. The outcomes make this value seem more than value it to someone who scans ceaselessly, however for many who need to save money there are guide methods to convert in Lightroom or Photoshop.

Why would DCS make for a greater scanning process? On the idea of image high quality alone, a contemporary DSLR can produce photographs with exceptionally high decision, impeccable colour from trendy sensors, and extremely deep dynamic vary.

Capturing a movie body with a 1:1 copy with a top-of-the-line digital digital camera (say the Nikon D850 or the Sony α7R II) can produce a print of 27 inches by 18 inches at print high quality of 300 DPI without any enlarging. Think about applied sciences like pixel shifting, as Mark Sperry from Northeast Photographic mentioned in his current podcast with AJ Holmes of Negative Supply, and we’re talking really large information. The identical might be stated for a number of captures of a single film body which might be later stitched together in post-processing.

That stated, to supply top quality digitizations of film, we should not have to personal a current professional mannequin digital digital camera. Even if we dip back into the closet to find a ten-year-old DSLR (or needed to spend underneath $100 to accumulate an older mode), we will produce excellent scans.

Think about the 2009 model yr Canon EOS 500D/Rebel T1i. Even with its APS-C sensor, it’s potential to supply prints of 11×14 at 300 DPI with no enlarging and no need for a number of captures.

All of this, nevertheless, depends upon having the supporting forged to make digitizing each environment friendly and effective. There are a selection of problems that can crop up. If the film isn’t laying flat sufficient, sharpness and shade will probably be wonky. In case your mild supply isn’t constant sufficient, scans will show harsh vignettes and colour shifts. Shifting from frame to frame might be time consuming compared to a devoted scanner that precisely and routinely inches the film alongside.

The Film Carrier MK1 from Negative Supply

This is the place Negative Supply comes to save lots of the day. During the last yr, photographers AJ Holmes of Nashville and Saxon McClamma of Philadelphia have been designing a product aimed toward setting the usual for digital digital camera scanning. They’ve been capturing film for a mixed twenty-five-plus years and have cycled by means of most of the numerous scanning choices obtainable from flatbeds to minilab scanners.

Saxon, who had been utilizing flatbed scanners and a Nikon Coolscan, decided that digital digital camera scanning may present a more satisfying setup. The primary situation in AJ’s and Saxon’s minds was getting their arms on a dependable destructive holder. Unhappy with what the market needed to supply and with Saxon wielding a degree in engineering and design, the two determined to fill the gap and make their own equipment.

Since then, they’ve produced seven prototypes with early fashions using dozens of elements assembled by hand – however now they’re prepared to begin manufacturing of the MK1 unit and are launching a Kickstarter on July 1 to do exactly that.

[Samples in the image galleries below were digitized using the Negative Supply Film Carrier MK1]

The Film Carrier MK1 is a high quality 35mm adverse holder that makes use of a drive mechanism to smoothly and accurately advance film over a gap for illumination from a light-weight desk. Because of clean operating bearings, silicon tensioners, and a totally greaseless unit, the movie is stored remarkably flat and taut whereas advancement is clean but dampened. Because of the greaseless design, there isn’t any danger of lubrication or particulate damaging the film.

The film advances alongside the outer edge of the filmstrip in order that captures of the frames can prolong out to the black borders. Because of the spooling nature of the strip, the film keeps safely coiled on the entry end and the exit finish of the service.

The current mannequin is made using a know-how referred to as Multi-Jet Fusion (MJF) printing, which was created by HP. The resulting unit is assembled from two exactly manufactured Nylon halves assembled and finished with high-end hardware and delightful chrome steel elements.

Via the months of R&D and computer-aided design, Negative Supply has put prototypes into the palms of beta testers across america. Northeast Photographic, knowledgeable lab based mostly in Maine, has been using the movie service extensively and providing suggestions to AJ and Saxon for software in the present model. The outcomes converse for themselves.

To sweeten the deal, Negative Supply can also be providing what they are calling the Professional Mount MK1 and a magnetically-attached anti-static brush package. The Professional Mount is actually a stand for the Film Carrier unit that gives better stability via its heavy design, bigger floor space, leveling ft, and anti-slip foot bottoms. The Film Carrier MK1 attaches to the Professional Mount MK1 utilizing a safe magnetic connection. The anti-static brush attaches to the Pro Mount in the same means in entrance of the Film Carrier so that the filmstrip is brushed as it feeds into the service, which means automated dusting prior to digitization.

Learn how to Purchase

The Kickstarter for the MK1 system goes stay in the present day. For the primary 48-hours of the launch, Early Fowl supporters can get the Film Carrier MK1 for $249 and the complete MK1 system for $399. The earliest supporters can anticipate to receive the products quickest, with Negative Supply expecting to ship in September.

After the Early Hen period, prices improve by $30 for both choices. As AJ and Saxon identified, discovering a manufacturer to supply 5,000 pieces of their system would have been a bit of cake. Working with an business as niche as the analog images one, finding a producer that may produce top quality goods at an inexpensive price-point for film-community-sized orders, shouldn’t be simply finished.

Coping with these constraints, AJ and Saxon initially aimed for the unit to be priced at $500, however they realized that a lower cost would mean reaching extra movie photographers and finally mean having a greater shot at impacting all the business.

They have deliberate for low order quantities and stretch objectives of 500 models or extra. The extra successful the Kickstarter is, the quicker Negative Supply can get medium and enormous format rigs into design and manufacturing, which can be suitable with the pre-existing Professional Mount MK1.

Within the subsequent thirty days, Negative Supply plans to get their most current mannequin into the palms of people all over the world with experience in traditional scanning approaches, digital digital camera scanning, and scanning in museum contexts in an effort to solicit remaining feedback for the official production run.

Whereas movie photographers have legitimately dozens of potential decisions for his or her scanning, be it at house or in a lab, digital digital camera scanning may be each the best choice, and the one which few individuals have tried. With Negative Supply’s new Film Carrier, these all for exploring DCS should discover it that much easier to take action.

For more details, go to the Kickstarter campaign.

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